Their work against the archive has led to a practice of counter surveillance that examines the politics of place, sight, and scarcity, in which found material is used as a means of imagining abundance in the face of widespread dispossession. Through the pursuit of alternative modes of documentation and cultural preservation in collaboration marginalized and oppressed communities, they seek forms and means of memory work that do not rely on imperial and colonial tools of capture and subjugation and instead rehearse collective liberation. Their work is highly informed by the resilience of organizing movements for abolition, self-determination, and liberation in Chicago, SE Michigan, and the broader Midwest.
Mira holds a Master of Art’s in Art Education from the School of the Art Institute of Chicago and a BA from the University of Michigan where they studied Ethnic Studies, Art History, and Ceramics.
They currently work with the following organizations: Walls Turned Sideways, The Digs, Patric McCoy Legacy Project/Diasporal Rhythms, Groundcover News, Michigan Student Power Alliance, and NON:Opera Arts & Humanities.
MISC WORK —
chronologically arranged
to the best of my ability
Soft book, made from scrap laser-engraved scrap fabric.
- This piece began in November 2023 and has transformed continually over the last 300 days, representative of a sustained experience of meaning-seeking amidst loss and violence. Through the mechanized process of burning text onto found fabric via a laser cutter, scholarly legibility becomes tenuous and material loss inevitable. Invoking the medium of the archive, and its fallibility, as we remember reflects on epistemicide and scholasticide and material violence and our responsibility to the stewardship of resistance and revolutionary thought as a collective generational inheritance.